![]() I didn't understand how this could be Jimi’s tone. When I got my first mass-produced Fuzz Face, I was disappointed. They don’t nail it.Īpproximating a guitar tone has never satisfied me. But as is so often the case, these pedals only approximate a tone. What's wrong with “simple,” or with serving a mass audience? Well, I suppose if the pedals sounded accurate, I wouldn't care. I'm saying they're making a vanilla Fuzz Face in the hope that it fits all. We’re led to believe that there’s one basic Fuzz Face, which isn’t true. Some of the major manufacturers don't help with this marketing confusion. “Fuzz Face” has become a generic term for fuzz among some guitarists. I was thoroughly patted down as I left the storage location. I actually got to hold the Fuzz Face and wah-wah Hendrix played at Woodstock. Hendrix used other fuzz pedals from time to time, but he became associated with the Fuzz Face, most likely from his performance at Woodstock. No need for a box full of questionable batteries anymore, just set the knob to your preferred supply voltage and get as much fuzzy compression or meaty breakup you desire consistently, every time.Along with the Big Muff, the Fuzz Face circuit is the most well-known fuzz circuit-largely through its use by Jimi Hendrix and David Gilmore. We have equipped this fuzz with a variable voltage pump, supplying anywhere from 5 to 15VDC from a single 9V power source. Eric Johnson famously kept a box full of batteries drained to various degrees. Fuzz Face tone has been whittled down to such a precise science that players now know what voltage at which they prefer their Fuzz Face to be run. What really sets the new If 6 Was 9 MKII apart is the power supply. The MKII includes all the soulful fuzz tones of the original BC183, but incorporates a variety of new features aimed at bringing this vintage inspired design into the modern age. ![]() The tone of the If 6 Was 9 MKII is just that - smooth and refined, without falling apart on chords and with loads of sustain on single-note work. We put two BC183 transistors in each one, which is widely regarded as a happy medium between the potentially mushy compression of germanium and the brash sawmill-like fuzz of silicon. SGFX’s pedal pays tribute to all the players who contributed to the pantheon of rock, with specially selected components to get your mojo working. It’s been at least 10 years since we launched our original If 6 Was 9 BC183 and improving on this solid design was no small feat. Jimi Hendrix, Eric Johnson, Stevie Ray Vaughan and Pete Townsend all carved their undying legacy with this iconic fuzz machine and with our If 6 Was 9 MKII, you can instantly tap into those legendary tones or go far beyond to discover your own saturated signature sound. ![]() Bold and raunchy when fed power chords, velvety smooth and angelically soaring when presented with lead lines and with an almost too-good-to-be-true volume knob cleanup, which allows for the best clean tones you’ve ever heard, the Fuzz Face is truly a multi-faceted tonal treasure. If there’s one pedal that captures the history of sonic rebellion and the soul of classic rock, then the Fuzz Face is it. ![]()
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